LOST IN KIEV: Rupture Full-Length From French Post Rock Collective Out TODAY On Pelagic Records

Photo by Stéphane Burlot

Rupture, the new full-length from French cinematic post-rock collective LOST IN KIEV, is out TODAY on Pelagic Records!

Recorded in a live-setting, Rupture concerns the band’s feelings about the drastic environmental changes that can be perceived all over the world. Casting their eco-angst into nine soaring and explorative tracks, LOST IN KIEV channels a sound that’s raw and pristine, reaching an emotive power beyond anything they’ve done before.


Watch the band’s previously released videos for “Solastalgia” HERE and “Prison Of Mind” HERE as well as “We Are” performed live at Midi Live Studios in Villetaneuse, France HERE.  

Rupture is available on CD, LP, and digital formats. Orders yours today HERE.

Since the Paris Agreement of 2015, climate change has been a firm topic on the international political agenda, and one closely followed by the media. However, with the pandemic, the war in Ukraine and the recent spikes in fuel and food prices, media attention to rising temperatures and vanishing ecosystems has waned a fair bit, so it comes at the right time that the French quartet reminds us of these pressing global issues.

Rupture is an album made to express how we feel about the breaking point between modern civilization and natural life,” explains guitarist/synth player Maxime Ingrand. “Planetary stability hangs by a thread because of too much consumption and other human activities, while many things (pollution, animal life, energy consumption) are at a tipping point. These are things that affect us and that we try to transcribe musically, both negatively and positively.”

These negative and positive poles are also found in the philosophy of Glenn Albrecht, the man who coined the title of the album’s first single “Solastalgia,” which could be defined as “emotional or existential distress caused by environmental change.” Albrecht argues that we can experience negative psychological effects from destructive changes to our domestic natural environment, but also that we can heal this damage by performing actions that heal this domestic ecosystem. This nature-versus-culture discourse also takes place on Rupture, where LOST IN KIEV creates moments of sublime beauty and rapture, that get distorted masterfully to create a sense of alienation and disillusion. These moments were captured in a powerful live recording session with Amaury Sauvé at The Apiary Studio in Laval. The live setting gives Rupture a directness which instantly beams your imagination to the main stage of the aforementioned post-rock festivals. Where previous albums like Nuit Noire (2016) and Persona (2019) featured a thoroughly produced tonal palette characterized by spoken word samples and the retro-futuristic use of synthesizers, Rupture has a rougher and more immediate sound.

The recognizable influence of Vangelis and Jean-Michel Jarre is still written all over this  record, but in this live setting the synth lines of “Squaring The Circle” and “But You Don’t Care” come  way up close, almost as if you’re there in the room with the band. What sets LOST IN KIEV apart from their peers is not only the perfection of their produced sound but also their composition and musicianship — on Rupture their experience oozes through the cracks. The confusion and dread are tangible in the lead guitar playing, the artful use of noise and distortion keeps you listening closely. While this album was still recorded with previous drummer Yoann Vermeulen, his successor Jérémie Legrand proved during the band’s recent tour with Maserati that he fts in seamlessly with his effortless and elegant playing. Each song is marked by a delicate balance between repetition and the introduction of new ideas, while every part feels appropriate and none of the musical ideas ever overstays their welcome. Even “Prison Of Mind,” almost a straight up melodic rock banger featuring Loïc Rossetti from The Ocean, amazes with its concise composition and creative use of vocal counterpoint during the song’s finale.

With Rupture, LOST IN KIEV have delivered another tour de force that surpasses their previous outings in many ways. Every song is pure melancholic ecstasy and rapture, while it also sees the band tread new ground. Going through various layers of dynamic composition, these nine tracks easily suck you into the band’s much needed narrative in which they lay bare their concerns and their anxieties. Rupture sees LOST IN KIEV at their most raw and authentic, and in a time where climate concerns need to be put back on the agenda, the album is a much-needed experience: a gripping portrait of mankind’s deteriorating relationship with its planet, this record will resonate with many fans of instrumental rock, both aesthetically and emotionally.

“The song maintains an aura of melancholy throughout, almost as if it was meant to be set to a particularly somber scene. If you’ve got headphones, this one certainly feels suited for that.” – Metal Injection on “Solastalgia”

LOST IN KIEV give us nine songs that evoke everything from beauty to annihilation, proving in the process that post-metal is alive and well, and in good hands.” – Heavy Music HQ

“Although the album only has one track with vocals, the beauty of post-rock is the way the songs make you feel. They impart so much emotion without the seemingly necessary medium of singing, and that is a hard thing to do, given that one of the main mediums is already off the table. Many of the song feel heavy, but they are in fact smooth and mellow. Heavy is an illusion of sorts that your heart feels while you listen…laden, encumbered, and burdensome, with just enough pause to keep you from throwing in the towel altogether.” – Metal Temple

“Rupture does a great job of solidifying LOST IN KIEV’s reputation as one of the more prominent names on the post-rock circuit…” – Everything Is Noise

“Fifty-one minutes of high-octane cinematic music, the band covers many different moods and tempos in a very cohesive and engaging release.” – Infernal Masquerade

It’s hard to describe post-rock as warm, but the music is indeed warm and inviting, almost asking you to take a respite from the overwhelming outside noise. However, the music then takes a turn into something darker, twisting and transforming into a catchy yet grotesque myriad of emotions. You are sitting in this kaleidoscope of warmth and color and then you, like a frog in a slowly boiling pot, can only listen in disbelief as the mood changes; the comfort you sought no longer exists, your own expectations ruptured.” – Nine Circles

Maxime Ingrand – guitar, synth
Dimitri Denat – guitar
Jean-Christophe Condette – bass, synth
Jérémie Legrand – drums