Portland, Oregon-based psychedelic stoner doom bringers ROBOTS OF THE ANCIENT WORLD will host a Gimme Metal guest DJ special this Friday, October 22nd at 3:00pm ET / 12:00pm PT. Don’t miss it! Visit: www.gimmemetal.com and join the band in the live chat!
ROBOTS OF THE ANCIENT WORLD released their Jack Endino–produced Mystic Goddess full-length earlier this Spring via Small Stone Records. The high-octane recording thrusts forth a forty-three-minute hallucinatory sound excursion through a wide range of styles that keeps listeners engaged while never losing focus or sacrificing flow. Commended The Sleeping Shaman, “ROTAW and Small Stone have an album-of-the-year candidate with Mystic Goddess, and perhaps, as time will tell, an-all time classic of the genre. This record touches on all aspects of stoner/doom/riff rock, blending them all together, in eyebrow-raising fashion. Desert rock, cosmic swirling psyche, Swedish-style stoner rock, as well as some grungy riffage…Highly Recommended.” Added BrooklynVegan, “It’s heavy, riffy, and catchy, and if your taste veers towards this corner of guitar-based music, you should definitely check this band out.”
Mystic Goddess features cover art by Swedish Robin Gnista and is available on CD and digital formats via Small Stone Records with Kozmik Artifactz handling a limited vinyl edition.
Find Mystic Goddess ordering options at the Small Stone Bandcamp page at THIS LOCATION where the record can be streamed in full.
View the band’s recently released video for “Out Of The Gallows” HERE.
ROBOTS OF THE ANCIENT WORLD are currently wrapping up the writing of their follow-up full-length with plans to hit the studio in January with legendary sound engineer Billy Anderson (Sleep, Acid King) with further details to be revealed in the months to come.
Formed as a result of a rare 2015 planetary alignment, ROBOTS OF THE ANCIENT WORLD made an immediate impact with a meteor shower of cosmic grooves and high-octane riffs in the galactic vortex where doom, psych, and stoner rock collide. As a live act, they are a force with which to be reckoned and their 2019 debut Cosmic Riders has garnered over 300,000 plays and counting on digital streaming sites, including Bandcamp, Spotify, and YouTube.
Eager to take their sound to uncharted regions of the galaxy, ROBOTS OF THE ANCIENT WORLD entered Seattle’s Soundhouse Studios in February 2020 to record with Jack Endino, famed sonic architect of the grunge revolution, and his longtime protégé Mikel Perkins. They emerged through the wormhole with Mystic Goddess.
“Raw, powerful, no nonsense production is what we were seeking,” says guitarist Justin Laubscher. After connecting with Endino through a friend and veteran of the grunge wars, Laubscher says the band “scraped up every nickel we could and went for it.”
Recorded, mixed, and mastered in six days, ROBOTS OF THE ANCIENT WORLD’s Mystic Goddess almost crashed and burned prior to liftoff. Four days in, Endino abruptly fell ill, “wrecked from this weird flu from hell,” according to Laubscher. “At the time, COVID-19 was not yet a thing in the US.” Perkins engineered the final two days of tracking. “Perkins is a legend, stepped in without missing a beat, and we all felt at ease. He entertained our more fringe ideas, the ones up until that point I was apprehensive to present to Jack.” Endino eventually finished the mixes remotely and Perkins is credited as co-producer.
Musically, the new album includes nods to stoner rock titans like the Stooges, Kyuss, and Boris but the band also wasn’t afraid to borrow ideas from Guns ‘N’ Roses and Santana, while deep diving into their usual lyrical fetishes. “I’m intrigued by psychedelics, esotericism, and conspiracy theories. I love to go deep with secret societies, other dimensions, and all that jazz. So, when you hear the Carl Sagan intro to ‘Cosmic Riders’ or David Icke closing out ‘Mystic Goddess,’ it’s a tribute,” notes Laubscher, “a nod to those dudes who are a creative inspiration for my song writing.
“Portland’s ROBOTS OF THE ANCIENT WORLD makes psychedelic stoner doom with a hint of Seattle grunge… and vocalist Caleb Weidenbach tops it off with a howl that sounds more than a little like Danzig. It’s heavy, riffy, and catchy, and if your taste veers towards this corner of guitar-based music, you should definitely check this band out.” – BrooklynVegan
“ROTAW and Small Stone have an album-of-the-year candidate with Mystic Goddess, and perhaps, as time will tell, an-all time classic of the genre. This record touches on all aspects of stoner/doom/riff rock, blending them all together, in eyebrow-raising fashion. Desert rock, cosmic swirling psyche, Swedish-style stoner rock, as well as some grungy riffage…Highly Recommended.” –The Sleeping Shaman
“Just lightly fuzzed, ROBOTS have as much Monster Magnet about them as they do hints of the more melodic elements of Clearing The Path To Ascend-era YOB. Completed by the solid, slightly twanging clean vocals of Caleb Weidenbach, that remind me a little of Red Fang, the package feels familiar in a number of respects but is also hard to pin down, as it gradually morphs and modulates over its forty-one minutes.” – Angry Metal Guy
“…a fun ride through a smokey haze.” – Modern Free Press
“The sophomore album from Portland, Oregon’s ROBOTS OF THE ANCIENT WORLD finds the deepest desert grooves and sets them lose on the world…The music is laid back guitar-driven desert stoner rock with fantastic and doomy palliative ordinances.” – Flying Fiddlesticks
“With its two guitars underscored by righteously fuzzed bass, my immediate impression of the track takes my head to Acrimony, and that’s neither a complaint nor the sum of what the five-piece have on offer – Jack Endino production never hurts – what with the Pacific Northwestern crunch of their bridge and the mellow stretches that begin and end the song.” – The Obelisk on Mystic Goddess’ title track
“ROTAW include nods to stoner rock titans like Kyuss and Boris whilst still retaining their lyrical fascination with psychedelics, esotericism and conspiracy theories…” – Metal Epidemic