Lambgoat is hosting the premiere for “PR Nightmare,” the succinct yet riotous new video/single from Richmond, Virginia noisemongers PRAYER GROUP. The band is set to release the gnarled new Strawberry 10” MLP through Reptilian Records at the end of next week.
PRAYER GROUP utilized the same team as on their prior album Michael Dose for Strawberry, with drums and some bass tracked with Ricky Olson at The Ward (Enforced, Prisoner, Bleach Everything), all other instrumentation recorded by guitarist Nate Dominy at Room 2B, the mixing handled by Chris Compton (Hold Tight!, Sea Of Storms, Basmati), mastering completed by Brad Boatwright at Audiosiege (Deadguy, Full Of Hell, Nø Man), completed with cover art by Luke LaMarca. Fans of Pissed Jeans, The Jesus Lizard, Big Black, Drive Like Jehu, Breather Resist, Blacklisters, Buildings, USA Nails, Fucked Up, join the PRAYER GROUP.
With the new video for “PR Nightmare,” the band writes, “We went with this track because it’s got a sense of urgency and it’s straight to the point. A lot of this record is kind of moody for us, but we don’t want to lead with that. We wanted both the track and the video to reflect that a lot of people are pretty pissed about one thing or another right now, but we all just have to go about our days and get through to the next one. For some people that also involves some pretty apocalyptic feelings and weird beliefs, and while we definitely do not endorse the sample at the beginning, for whatever reason it felt like it fit. A lot of people want off the ride but we’re all pretty much stuck here, so we work another day and maybe blast some riffs or go down some cult rabbit hole to deal with it.”
Watch how PRAYER GROUP’s riotous performance unfolds in the “PR Nightmare” video now playing at Lambgoat RIGHT HERE.
Strawberry will be released on 10” vinyl and digital platforms on August 29th. Find preorders at the Reptilian Records arsenal HERE and Bandcamp where “Plagiarism” is streaming HERE.
PRAYER GROUP will take their abrasive preachings to folks in the Mid-Atlantic region on a quick run of release shows for Strawberry, hitting Philadelphia, Baltimore, and their hometown of Richmond August 28th through 30th. Additional excursions are to be expected over the months ahead.
PRAYER GROUP Strawberry release shows:
8/28/2025 Thunderbird Hall – Philadelphia, PA
8/29/2025 Holy Frijoles – Baltimore, MD
8/30/2025 Banditos – Richmond, VA
PRAYER GROUP is a noise rock band that can’t decide if it should be a punk band, or a noise rock band, and they generally don’t care. Formed nearby 2014 or so by way of folks who’d cut their teeth in Richmond area bands Equestrians, Kingshead, Gifts From Enola, and others, their sound in this act veers towards something a bit more squarely in line with the most classic era of United States noise rock/post-hardcore. Having released three EPs and an LP over the past decade, along the way the band has left scattered venues across the East Coast in shambles, killed several vans and even more speakers, and most definitely plenty of brain cells. Having played alongside such contemporaries as USA Nails, Ken Mode, Multicult, and Child Bite, PRAYER GROUP injects a hardcore punk brevity into their noise rock reinterpretations of the style, giving it a wild twist.
Currently embodied by vocalist Matt Voegel, guitarist Nate Dominy, drummer Anthony Stout, and Au Revoir bassist Carl Kranz making his PRAYER GROUP debut, Strawberry is a record from a tumultuous time, following lineup shifts, members and day jobs having relocated/changed, and families have come to look different than they used to. The record got a rushed start because of some uncertainties, then dragged to the finish line due to other, painful certainties. Some songs were written quickly, some had been simmering for years, and some were being written as they were being recorded. In the end, Strawberry begins straightforward in its delivery, wanders into some new realms, then comes ripping back to full force by the end, delivering some varying textures while remaining accurate to the band’s live sound. While it rides barely shorter in length than their Michael Dose album, the few minutes’ difference resulted in the pressing of a bastard 10” format release, while still dropping all the might of a proper LP.
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