“…We keep scattering pieces of ourselves through our constant efforts to stay alive. It’s like dying a little more each time. And it’s what will get us in the end.” — ABRAHMA on “Lost Forever”
View / Share ABRAHMA’s “Lost Forever” Video At THIS LOCATION.
In Time For The Last Rays Of Light is the third full-length from French progressive heavy rock outfit ABRAHMA. Set for release next month via Small Stone, the record follows three tumultuous years of personal challenges and lineup changes and is a chronicle of the ravages of coping with loss and mental illness, brought to bear with heavy and progressive songwriting, melodic catharsis, and an impact that goes beyond the material itself.
In advance of its release, the band has unveiled the moving video clip for “Lost Forever.” Offers guitarist/vocalist Sebastien Bismuth, “‘Lost Forever’ unequivocally deals with depression, so I wanted to evoke identity quest as a parry to nothingness; when you lose yourself into the wilderness and have to draw in your own resources, facing yourself and looking after your animus, finding the strength to fight for things that may seem meaningless. Moving slowly toward an inextricable death, whether you do it to get a little more time or to find epiphany as a last shield before the abyss. We keep scattering pieces of ourselves through our constant efforts to stay alive. It’s like dying a little more each time. And it’s what will get us in the end.”
View “Lost Forever,” directed by Michael Leclere, below.
ABRAHMA’s In Time For The Last Rays Of Light will be released May 24th on CD and digital formats worldwide via Small Stone Records and in France on Deadlight Entertainment. For preorders go to THIS LOCATION. View the album teaser at THIS LOCATION.
Produced and mixed at Orgone Studios by Jaime Gomez Arellano (Paradise Lost, Ghost) In Time For The Last Rays Of Light follows 2015’s Reflections In The Bowels Of A Bird, and whether it’s the stark chug and lumbering weight of “Eclipse Of The Sane Pt. 1: Isolation Ghosts” or the furious blasting in “Lucidly Adrift,” its songs produce a depth of atmosphere that speaks to the soul that birthed them.
A split with the prior lineup of the band brought the Rouen, France-based founding vocalist/guitarist Sébastien Bismuth into contact with local outfit Splendor Solis, whose members would soon be folded into the new incarnation of ABRAHMA. After many false starts, the band hit the studio in July 2018 and set to work on what is unmistakably their greatest accomplishment to-date: an album that copes with the depression that inspired it and soars hopefully above while reminding that the darkness beneath is ever-present.
“People do not take mental illness seriously,” says Bismuth. “People suffering from depression generally feel rejected, and it is not only a feeling. People who’ve never gone through it generally do not understand how hard it can be to live every day with this weight on your shoulders, all those questions going through your head.”
Spanning genres and decades of influence, from the Bowie-ism of “…Last Epistle” to the gothic unfolding of closer “There Bears The Fruit Of Deceit,” In Time For The Last Rays Of Light speaks with raw honesty and lush craft to its challenges and realizations.
In keeping with the album’s theme, a portion of the merch proceeds from ABRAHMA’s next tours will go to help those suffering from mental illness. “I decided to use this album as a medication against this depression and maybe help other people in this situation,” Bismuth recounts. “Each song explains a different side of it: loss of confidence, other’s critical looks, the impression of not having a place in this world.”
With front and back covers by famed French artist Gustave Doré (1832-1883) and a greater expanse of sound than ABRAHMA has ever had before, In Time For The Last Rays Of Light confronts its demons and offers a reminder that light exists in the first place.
Sébastien Bismuth – vocals, guitar, effects
Florian Leguillon – guitar, backing vocals
Benoît Carel – guitar, synth, backing vocals
Romain Hauduc – bass, backing vocals
Baptiste Keriel – drums, backing vocals