Archive for the ‘Tours / Shows / Events’ Category

IN THE COMPANY OF SERPENTS: Denver Doom Duo Severs Ears With “Breed, Consume, Die;” Crushing Merging In Light EP Nears Release

Friday, December 19th, 2014

Merging In Light is the forthcoming EP from Denver doom duo, IN THE COMPANY OF SERPENTS. Produced, mixed and mastered by Dave Otero (Cephalic Carnage, Catheter, Nightbringer, Primitive Man etc.) at Flatline Audio in Denver, Colorado, Merging In Light spews forth over twenty rumbling minutes of bottom-heavy, riff-sodden, fuzzed out cheerlessness. In celebration of its official unveiling, now just forty-eight hours away, today the band offers up opening rager, “Breed, Consume, Die” for communal worship.

Comments IN THE COMPANY OF SERPENTS, “‘Breed, Consume, Die’ is basically about how we’re shoehorned as a society into this paradigm where we’re expected to constantly work, and spend what little time we have to ourselves consuming dispensable bullshit that does nothing to enrich our lives. If we don’t conform to that mold or approach to life, we’re labelled as dead weight, so we all end up chasing that carrot on a stick while anything of value in our lives is whittled down to nothing.”

Cherish the teachings of “Breed, Consume, Die” now streaming at the official IN THE COMPANY OF SERPENTS BandCamp page HERE.

And if you missed it, get down with your low-end with “Third Mind” still consuming the airwaves of Revolver at THIS LOCATION as well as ten-minute closing psalm, “A Union Of Opposites,” still streaming at Cvlt Nation at HERE.

Championed for exhibiting, “an aura of sonic darkness and evil,” by Zero Signal Magazine, Merging In Light boasts artwork by renowned illustrator Sam Turner, (Sleep, Speedwolf et al) and will be released independently on limited 12″ colored vinyl with an etched B-side. The two ouroboros serpents forming the Vesica Piscis symbol on the front and back cover will be done in UV spot gloss on the jacket, so it will have the appearance of glossy black against matte black. Additionally, 100 of the 500 records pressed will have a haze of black set against a milky, semi-translucent white, and will also come with a printed slipmat available. The remaining 400 will be white vinyl.

IN THE COMPANY OF SERPENTS’s Merging In Light will be released Sunday, December 21st, 2014, the Winter Solstice, at THIS LOCATION.

“The music is tank-like in the roll of its mechanics, the guitar and bass chords so distorted and sludgy that it seems like an experiment in the most efficient means of sonic spinal compression, the drum strikes so powerful that they come down like a pile-driver on concrete. The effect is near-cataclysmic. But oh man, the groove is so dominant — these are neck-grabbing songs that will bend your head up and down to their will.” – No Clean Singing

“The three songs rumble along with menacing intent, chock full of monstrous, dark riffs and plodding drums… in the end a really enjoyable homage to Black Sabbath, Saint Vitus, Electric Wizard, and Sleep.” — Sea Of Tranquility

“…heavier than damn near anything you’ve ever heard…” — Hard Rock Revolution


http://www.facebook.com/InTheCompanyOfSerpents
http://www.inthecompanyofserpentsdoom.bandcamp.com

BARING TEETH: Dallas Avant/Tech Death Trio Releases Live Studio Session With The Violitionist

Friday, December 19th, 2014
[Photo by: Courtney Scholari]

Dallas-based tech/death trio, BARING TEETH, recently took part in a shredding session at Civil Audio in Denton, Texas to record a live studio set, as part of The Violitionist Sessions. Alongside a short interview, BARING TEETH clinically destroys three tracks from their second LP, Ghost Chorus Among Old Ruins — “Visitant,” “Dripping Sun” and the title track — all recorded by Michael Briggs live with no overdubs.

Blaze the BARING TEETH Violitionist Session now at THIS LOCATION.

BARING TEETH, who was recently designated one of the best metal bands in North Texas by The Dallas Observer, released Ghost Chorus Among Old Ruins through Willowtip Records at the end of November, the album recorded by Alex Bhore (This Will Destroy You) at Elmwood Recording, mixed by Keith Souza and Seth Manchester at Machines With Magnets (The Body, Battles, Daughters), and mastered by Alan Douches (The Dillinger Escape Plan, Converge, Swans). The record unloads thirty-seven minutes of the band’s most compelling, battering, slickly-executed technical death yet, with spacious atmospheres, frantic percussion and dissonant, angular riffwork. The band has been touring regionally in support of the album, and continues to do so through the Winter months, with shows booked this week, in early January, and more on the way.

BARING TEETH Tour Dates:
12/20/2014 Gatsby’s Mansion – Denton, TX
1/9/2015 Augustine’s – Hammond, LA
1/10/2015 Back to Back Bar – Bossier City, LA

Stream Ghost Chorus Among Old Ruins in its entirety through Revolver Magazine at THIS LOCATION, and order the album through Willowtip Records RIGHT HERE.

Previously known as Soviet, BARING TEETH is an act formed by three musicians having collectively spent time playing in a plethora of acts including Cleric, Between The Buried And Me, Broadcast Sea and others. Ghost Chorus Among Old Ruins long player is a true genre-bending masterwork sure to floor metallers of all walks. In a 4/5 rating, Sputnik Music hails, “BARING TEETH put out another superbly written, impeccably performed release,” while No Clean Singing opines, “Ghost Chorus Among Old Ruins does more than throw a fresh coat of paint on an old style; it seeks to question and re-define the depths and mission of death metal. In the process, the album submerges you in a haunting despair that brings a cold clinical chill to your bones and its mesmerizing effect lingers long after the music ends. Feeding you misanthropy that blooms kaleidoscopically, it teaches that walls exist only to be mutated and destroyed until the newly scarred forms resemble nothing the mind can grasp with comfort.” Gear Gods agrees, “BARING TEETH’s sophomore slump-defier is Ghost Chorus Among Old Ruins. It builds upon the Gorguts-inspired fractured take on extreme metal that the trio executed on so well with their initial release, but adds to it a much more oppressive atmosphere not unlike Deathspell Omega’s busier moments. But in contrast with many of the band’s peers, BARING TEETH have been sonically captured with a big, roomy, natural tone that makes the haunting moments gel in a way that scares the bejesus out of me when I listen with the lights off. The sound is akin to what you’d get if a couple seasoned jazz cats struck up an impromptu jam, and were then promptly possessed by the tainted soul of Lucifer, the rebel king of Hell.” Adds Dead Rhetoric in an 8/10 review, “Ghost Chorus Among Old Ruins is a big ‘ol step into the world of dissonant, sometimes avant-garde, but always ‘whacked’ death metal.”

http://www.baringteethmetal.com
http://www.facebook.com/baringteeth
http://www.twitter.com/baringteeth
http://www.willowtip.com
http://www.facebook.com/willowtip
http://www.willowtip.bandcamp.com
http://www.twitter.com/Willowtip

POWER TRIP: Texas Crossover Act Continues Raging Tour Schedule Into New Year

Friday, December 19th, 2014

Since the 2013 release of their debut LP, Manifest Decimation, on Southern Lord, Texas maniacs, POWER TRIP, have toured incessantly, bringing their hyperactive brew of modernized-but-old-school thermonuclear crossover to ragers across multiple continents. The ongoing attack will continue into 2015, as the band has just announced a new bash of US tour dates in February and March, with their performance at Florida’s FYA Fest still confirmed before the year comes to a close.

First up, closing their crushing 2014 tour schedule down, POWER TRIP will bring their mayhem to the Fern Park, Florida-based FYA Fest, joining a bruising roster of hardcore acts including Down To Nothing, Incendiary, Code Orange, Cold World, Bitter End, Mammoth Grinder, Discourse, Homewrecker and tons of others on December 27th and 28th. From February 23rd through 25th, they’ll raid three Texan towns — Houston, Austin and San Antonio — alongside S.H.I.T. Then on March 3rd, POWER TRIP gets underway with a three-week run through the Midwest and West Coast states, set to conclude at South By So What?! 2015 Festival in Grand Prairie, Texas, on select dates joining Build And Destroy, Title Fight and Merchandise. But as always with these road animals, more dates will undoubtedly be announced in the coming weeks.

POWER TRIP Tour Dates:
12/28/2014 Orlando Live Events – Fern Park, FL @ FYA Fest w/ Cold World, Bitter End, Mammoth Grinder, more [info]
2/23/2015 Walter’s – Houston, TX w/ S.H.I.T.
2/24/2015 The North Door – Austin, TX w/ S.H.I.T.
2/25/2015 1011 – San Antonio, TX w/ S.H.I.T.
3/03/2015 Outland Ballroom – Springfield, MO
3/04/2015 Beat Kitchen - Chicago, IL w/ Build and Destroy
3/05/2015 Magic Stick – Detroit, MI w/ Build and Destroy
3/06/2015 Grog Shop – Cleveland Heights, OH w/ Title Fight, Merchandise
3/07/2015 The Ready Room – St. Louis, MO w/ Title Fight, Merchandise
3/08/2015 The Bottleneck – Lawrence, KS w/ Title Fight, Merchandise
3/09/2015 Marquis Theatre – Denver, CO w/ Title Fight, Merchandise
3/10/2015 Loading Dock – Salt Lake City, UT w/ Title Fight, Merchandise
3/12/2015 The Catalyst Atrium – Santa Cruz, CA w/ Title Fight, Merchandise
3/13/2015 Slim’s – San Francisco, CA w/ Title Fight, Merchandise
3/14/2015 The Regent – Los Angeles, CA w/ Title Fight, Merchandise
3/15/2015 The Glass House – Pomona, CA w/ Title Fight, Merchandise
3/16/2015 Club Red – Mesa, AZ w/ Title Fight, Merchandise
3/17/2015 Sister – Albuquerque, NM w/ Merchandise
3/18/2015 Primal Skate Shop – Abilene, TX w/ Merchandise
3/22/2015 South By So What?! - Grand Prairie,TX [info]

http://www.powertriptx.bandcamp.com
http://www.twitter.com/#!/PowerTripTX
http://www.facebook.com/powertripTX
http://www.southernlord.com
http://southernlord.bandcamp.com
http://www.facebook.com/SLadmin
http://twitter.com/twatterlord

YOB: Portland’s Favorite Doom Craftsman Announce North American Tour Dates With Enslaved This March

Thursday, December 18th, 2014

[Photo by James Rexroad]

Following two furiously sold-out nights at renowned Brooklyn rock bar, Saint Vitus, as well as their mammothly efficacious European trek before that, Portland’s most prized doom craftsman, YOB, will return to the stage this Spring for a North American run supporting progressive black metal technicians, Enslaved. Slated to commence on March 5th in San Diego, the sixteen-date excursion will make its way across the country, coming to a close on March 24th in Boston. Additional support will be provided by Ecstatic Vision.

YOB w/ Enslaved, Ecstatic Vision:
3/05/2015 Brick By Brick – San Diego, CA
3/06/2015 Rey Theatre – Los Angeles, CA
3/07/2015 Slim’s – San Francisco, CA
3/09/2015 Hawthorne Theater – Portland, OR
3/10/2015 Rickshaw Theatre – Vancouver, BC
3/11/2015 Corazon – Seattle, WA
3/13/2015 Bar Deluxe – Salt Lake City, UT
3/14/2015 Summit Music Hall – Denver, CO
3/16/2015 Mill City Nights – Minneapolis, MN
3/17/2015 Thaila Hall – Chicago, IL
3/19/2015 Opera House – Toronto, ON
3/20/2015 Les Foufounes Electriques – Montreal, QC
3/21/2015 Gramercy Theatre – New York, NY
3/22/2015 Union Transfer – Philadelphia, PA
3/23/2015 Baltimore Soundstage – Baltimore, MD
3/24/2015 Sinclair – Boston, MA

YOB will be touring in support of their critically-adored Clearing The Path To Ascend full-length, released early this Fall via Neurot Recordings. Recorded at Gung Ho Studio in Eugene alongside longtime YOB comrade/iconic sound wizard, Billy Barnett and mastered by Brad Boatright (Sleep, Beastmilk, Nails) at Audiosiege, Clearing The Path To Ascend has won the praise of major media outlets globally, including Rolling Stone who placed the record at the coveted  #1 spot on their 20 Best Metal Albums Of 2014 noting, “The seventh album from Oregon doom metal sky-gazers, YOB, … makes perfect bedfellows of volume and beauty, pain and transcendence.” The esteemed publication further commends the record noting, “Opener ‘In Our Blood’ extends a simple riff into complex arches, tracing [vocalist Mike] Scheidt’s voice as it moves from an exquisite falsetto to a death-metal bellow in the course of sixteen-minutes. And during the colossal closer ‘Marrow’ — possibly the best metal song of the year, one that uses low notes to play uplifting melodies — Scheidt sings ‘Time will fall inside the dream.’ His voice suddenly reaches out like a clarion’s call, clear and telling and beautiful. It’s a pronouncement from the living, a semaphore pointing into the future.” Elsewhere the record placed at #7 on Decibel’s Top 40 Albums Of 2014, #9 on Wondering Sound’s 25 Best Metal Albums Of 2014, #1 on About.com’s 2014 Best Heavy Metal Albums List, #11 on Stereogum’s Top 50 Albums Of 2014, #9 on Spin’s 20 Best Metal Album’s Of 2014, #9 on Metal Assault’s Best Albums Of 2014, and #1 on Free Williamsburg’s 10 Best Metal Albums Of 2014 among so many other lists both published and in the works.

YOB’s Clearing The Path To Ascend is available now via Neurot Recordings HERE.

“Mike Scheidt’s songwriting has never been stronger or more dynamic… a masterful return to form by an American doom powerhouse.” – Decibel

“An absolute monument of musicianship, songcraft, and raw emotion, this hour-plus slab of gut-wrenching, god-toppling doom, crafted by frontman Mike Scheidt in the wake of divorce and the decision to stop taking anti-depressants, operates on a grander scale, both sonically and philosophically, than any other album this year.” – Free Williamsburg

“For all its heaviness, the album is disarmingly meditative, relying less on forcing the mood for the listener and entrusting that the human commonalities of love, loss, fear, and hope threaded throughout the music will render an altogether familiar place of comfort and strength within the listener.” – Steel For Brains

“The sound on Clearing The Path To Ascend is tactile: You can practically feel vocalist/guitarist Mike Scheidt’s callused hands sliding up and down the guitar neck…This isn’t a case of fixing what was broken; it’s about becoming greater than they already were.” – Wondering Sound

“The closing, sprawling eighteen-minute plus ‘Marrow’ takes every previously visited songwriting element on Clearing The Path To Ascend and brings it all together into beautifully melancholic combination of heaviness and melody, a fitting capstone to a gem of an album.” – About.com

Clearing The Path To Ascend is YOB at their most frenzied (‘Nothing To Win’) as well as their gentlest (‘Marrow’), but taken as whole, its four songs feel like the seasons or the elements: powerful, eternal, wondrous, and bigger than all of us.” – Stereogum

“…Mike Scheidt continues to drive his band YOB to new heights of epic, darkly spiritual doom without consideration for trends, self-consciousness or the whims of fickle consumers. At sixty-two minutes yet only four songs, Clearing The Path To Ascend rewards the patient while almost deliberately snubbing the ADD set… Scheidt uses art as catharsis, and that means you as listener as well if you want to take that journey with him.” – Metal Injection


http://www.facebook.com/pages/Yob/36708497970
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings

XIBALBA: First Single From Tierra Y Libertad LP Released Via VICE/Noisey; West & East Coast Record Release Shows Announced

Thursday, December 18th, 2014

Pomona, California’s XIBALBA has unchained the first single from their approaching Tierra Y Libertad LP with a stream of the album’s third track, “Invierno,” now playing at Noisey.

Bearing an impressive arsenal of recordings amassed since 2010, including notable splits, EPs, demos and two prior LPs, each chapter of XIBALBA’s recorded bloodline to date has seen the band expand upon their dense, hateful sound, and their third LP, Tierra Y Libertad, proves to follow this ominous path. With some of the band’s most savage death metal-fueled hardcore and decimating breakdowns to date, XIBALBA still continues to impress with new atmospheric tones and harrowing elements without straying from their unstoppable warpath. With nearly forty-four minutes of unrelenting revolutionary violence, Tierra Y Libertad was recorded by Taylor Young (Nails, Twitching Tongues, Disgrace) at The Pit in Van Nuys, as with their lauded Hasta La Muerte LP, and the cover art as well following the path of Hasta with the employment of Dan Seagrave (Dismember, Entombed, Suffocation) for Tierra Y Libertad’s cover artwork.

VICE Magazine’s music joint, Noisey, is exclusively streaming Tierra Y Libertad’s most literally intoxicating third track, “Invierno,” at THIS LOCATION.

Southern Lord will issue Tierra Y Libertad on CD, LP and digital outlets on January 26th in Europe and the 27th in North America.

In union with the release of their new works, the notorious road warriors will begin punishing audiences with the new album live. XIBALBA has declared a string of Tierra Y Libertad record release shows, with tour dates now scheduled on both the West and East Coasts in January and February. XIBALBA will hit Los Angeles and Berkeley on January 30th and 21st with All Out War and Skinfather, followed by a San Diego show on February 7th with Excel and Rotting Out. Directly after that they’ll raid the East Coast with five shows from February 18th through 22nd. With shows in Albany, Haverhill, Amityville, Baltimore and Providence slated with The Banner on all dates, Rude Awakening will play the last three shows, and All Out War will also join the Amityville and Baltimore dates.

Stand by for further XIBALBA developments in January including an official video for the album’s opening track, “Enemigo,” additional tour dates and more.

XIBALBA Tierra Y Libertad Record Release Shows:
1/30/2015 Los Globos – Los Angeles, CA w/ All Out War, Skinfather
1/31/2015 Gilman – Berkeley, CA w/ All Out War, Skinfather
2/07/2015 Soda Bar – San Diego, CA w/ Excel, Rotting Out
2/18/2015 Bogies – Albany, NY w/ The Banner
2/19/2015 Haverhill – Haverhill, MA w/ The Banner
2/20/2015 Amityville Music Hall – Amityville, NY w/ All Out War, The Banner, Rude Awakening
2/21/2015 Charm City Art Space – Baltimore, MD w/ All Out War, The Banner, Rude Awakening
2/22/2015 Firehouse 13 – Providence, RI w/ The Banner, Rude Awakening

http://twitter.com/XibalbaCA
http://www.facebook.com/placeoffear
http://www.southernlord.com
http://southernlord.bandcamp.com
http://www.facebook.com/SLadmin
http://twitter.com/twatterlord

GNAW THEIR TONGUES Begins To Confirm First American Live Performances Including California Deathfest; Track From Collected Atrocities 2005-2008 Thrives At Sound Colour Vibration

Thursday, December 18th, 2014

As Crucial Blast prepares to release the mammoth Collected Atrocities 2005-2008 compilation of early works from The Netherlands’ horrific industrial/doom entity, GNAW THEIR TONGUES, a track from the select anthology sees public exhibition, as the booking of the act’s first American live performances have begun.

While some have followed this act since its foundation, each GNAW THEIR TONGUES release continues to feed upon new populations, fueling solo artist Mories (Aderlating, Cloak Of Altering, etc.) and his contempt for the human race, while drawing new unsuspecting victims into its tumultuous undertow. One recent victim happens to employ coverage at Sound Colour Vibration webzine commune, and so the infection spreads, as the portal hosts a sample of what the Collected Atrocities 2005-2008 early works collection entails. Alongside a stream of the track “Slaves,” which actually slipped past all of the early GTT EPs and remains unique to this collection, SCV introduces this gut-wrenching movement with a sturdy description of the carnage, including, “”Sound coalesces and shape-shifts into a molded blend of moving tones and energy, slowly sinking into a deep reserve of the earth. Every tone is masked with a raw and unhinged surface, bleeding further into one another as things spirals into a maddening state of emotions… Every texture and piece of sound in ‘Slaves’ just crawls inside of me and starts to turn my insides black. It’s an assaulting approach to creating music and I can’t help but find the beauty and value in everything this stands for.”

Unearth “Slaves” now at THIS LOCATION.

Also check “Glorification Of Rats” from the 2007-released Prefering Human Skin Over Animal Fur release HERE.

Set for release on February 3rd, Collected Atrocities 2005-2008 is just the first of several waves of GNAW THEIR TONGUES recordings to be released in 2015, and as the outfit sees its 10th anniversary, the new year will also see the first American live performances from the entity. The act is one of several select acts confirmed for the inaugural California Deathfest, initiated by the creators of Maryland Deathfest. The intimate event will go down October 9th through 11th at the Oakland Metro, where GNAW THEIR TONGUES will join a host of acts including Ævangelist, Antediluvian, Autopsy, Disma, Ghoul, Impaled, Loss, Noothgrush and Worship. Additional stateside live actions will be declared.

GNAW THEIR TONGUES Live:
10/09-11/2015 Oakland Metro – Oakland, CA @ California Deathfest [info]

For nearly a decade, Dutch avant-black/doom entity, GNAW THEIR TONGUES — named after a particularly evocative passage from the Book Of Revelation — has been infecting the underground with a uniquely disturbing brand of chaotic heaviness. Fusing together malevolent, rumbling doom with rabid, noise-damaged aggression and blasts of fearsome orchestral power and industrial pandemonium, and draping these lurching, hellish dirges in an oppressive atmosphere thick with horror and despair, the intensely nightmarish music of GNAW THEIR TONGUES defies easy categorization. The sum of all GTT’s construction and execution is the work of sole architect and madman, Mories, also known for other destructive output with Cloak of Altering, Pyriphlegethon, De Magia Veterum, Aderlating, Mors Sonat, Pompidou, Dimlit Hate Cellar and others. Before the debut An Epiphanic Vomiting Of Blood LP in 2007, GNAW THEIR TONGUES crawled into the black metal/industrial underground via a number of ultra-limited EPs which quickly went out of print, and are now sought after by fans of the band’s abject blackened horror. Collected Atrocities 2005-2008 is a new double CD anthology that gathers together essential, out-of-print early recordings from the band that span the first three years of GNAW THEIR TONGUES’s existence, compiling the Prefering Human Skin Over Animal Fur, Horse Drawn Hearse and For All Slaves… A Song Of False Hope EPs, the material from the Static Hymnal compilation, and other rarities from the bowels of the GTT archive.

http://www.gnawtheirtongues.com
http://gnawtheirtongues.bandcamp.com/
http://www.facebook.com/pages/Gnaw-Their-Tongues/128655237208690
http://www.crucialblast.net
http://www.facebook.com/CrucialBlast
http://crucialblast.bandcamp.com

THE INSPECTOR CLUZO: Suicidal Records Locks February Stateside Release Of Fourth Album From Dynamic French Rock Duo; Upcoming Tour Schedule To Include SXSW Performances

Thursday, December 18th, 2014

Amidst many months of hype following their signing to Suicidal Records, French guitar and drums rock duo, THE INSPECTOR CLUZO, has confirmed the Winter street date for their acclaimed Gasconha Rocks album to hit the streets of North America, and will shortly begin touring the continent in support of the release.

Gascony-based THE INSPECTOR CLUZO’s fourth full-length studio release, Gasconha Rocks, features ten tracks, all recorded live with no edits in full analog by the band on their 1979 Sony MCI mixing desk at their farm in Mont de Marsan, Gascony and Studio Mountown, and mastered by Mathieu Bameulle & JP Chalbos at La Source. In addition, contributions were made by several of the band’s cohorts, including Hammond Organ by Stephane Kraemer, trumpet by Benoit Molina, tenor sax by Christophe Cambou and baritone sax by Laurentx Etxemendi, and the comic book layout of the packaging drawn by Chris Lin, with photos by Anna Godin and additional artwork and laout by Arnaud Lacoste. Gasconha Rocks will turn fans of everything from the MC5, Grand Funk Railroad, James Brown and more into instant devotees of THE INSPECTOR CLUZO’s modernized and energetic delivery.

Suicidal Records will release the infectious intensity of Gasconha Rocks in the US on CD and all digital platforms on February 24th, as the band returns to North America, confirmed to perform at SXSW, with widespread national tour actions around the festivities coming together for announcement in January.

THE INSPECTOR CLUZO deploys a dynamic style of soulful rock infusing classic rock and funk elements into their own “fuck the bass player” blend of energetic rock and roll, the band fully comprised of guitarist/vocalist Malcom Lacrouts and drummer/backing vocalist Phil Jourdain. Boasting a fully DIY attitude and system in every aspect, they’ve handled their own production, management, booking, label and promotion since inception, yet have indisputably become one one of France’s most hard-touring bands. They also run their own Gascony-based organic farm, Lou Casse, out of which they will soon be releasing their own brand of foie gras and patés, with a full documentary on their farming venture entitled Rockfarmers nearing completion for release in early 2015.

Amidst critical acclaim from the European media upon the initial release of the album on that continent in September 2013, as THE INSPECTOR CLUZO began an extensive run of international touring, they caught the ear of Mike Muir of Suicidal Tendencies, Infectious Grooves and more, who picked the band up for a US deal through their own Suicidal Records, after which the band was brought to North America in tour support of Suicidal Tendencies, Trash Talk, Terror and more. Since, THE INSPECTOR CLUZO has toured harder than ever, embarking on their Gasconha Rocks World Summer and Fall Tours which saw them invade Japan, South Korea, Taiwan, South Africa, Hungary, Czech Republic, Austria, Spain, France, Holland, Belgium, India and more via a multi-tour attack over the latter half of this year, being featured on major online, print and television media outlets through the whole trek.

If you missed it, check out the English version of the band’s The 2 Mousquetaires: A fight for Independance 63mn documentary HERE, and catch up with the massive amount of live footage from their 2014 tour ventures, media interviews, farming documentation and more at THE INSPECTOR CLUZO’s YouTube depot HERE.

http://www.theinspectorcluzo.com
http://www.youtube.com/user/theinspectorcluzo
http://www.facebook.com/theinspectorcluzo
http://www.suicidaltendencies.com

MEATWOUND: Corruptive Florida Act To Drop Debut Album Through Magic Bullet This Winter

Thursday, December 18th, 2014

Magic Bullet Records will take responsibility for the dirty job of handling the release of the scum-laden debut LP from MEATWOUND, an act collecting individuals who have done or are currently doing time with Combatwoundedveteran, Holy Mountain, Headless Dogs, Primate Research and more throughout the Floridian peninsula over the past two decades or so.

Dangerous and hardcore as shit, a thundering concoction of 1990s influences overthrow the MEATWOUND sound; a gutter where the pentatonic, industrialized elements of crushers Fudge Tunnel and Godflesh meet a sordid death metal edge meshing Sepultura and Exit-13, in the same place throbbing Big Black-style hardcore punk is infiltrated by a scuzzy sci-fi The Locust-ish elements, while an expected aggro hardcorish/punked vibe in the realm of many of the other acts the MEATWOUND members hail from surging through it all.

MEATWOUND’s debut LP, Addio was recorded with Dan Byer at Rock Garden Recording in St. Petersburg, Florida, mastered by Dan Randall at Mammoth Sound, and bears artwork by Chris Norris [Steak Mtn.]. Magic Bullet will discharge the beast digitally and on LP in the first quarter of 2015, with final pressing and street date details to be confirmed in the days ahead.

The MEATWOUND posse will support Municipal Waste, Torche and Nightbird at the Tampa gig of their current tour, raiding the Crowbar in Tampa on July 20th. More live actions from MEATWOUND are imminent.

Addio Track Listing:
Side A
In Toilet
Goliath
Funeral State
Side B
Hand of God
Meat Pack
I Am Transgressor

MEATWOUND Live:
1/20/2015 Crowbar – Tampa, FL w/ Municipal Waste, Torche, Night Birds [info]

Last year, playing with his current act, Primate Research, vocalist Dan caught drummer Ross and guitarist Ari slaying instrumental jams at a house, and an instant pact of filth was formed, after which the trio found themselves intoxicated at an off-the-grid location in regular jamming sessions. Shortly thereafter, Mariano was sanctioned for the bass research. The vocalist issues, “I asked Mariano to play bass. He had been playing guitar for twenty-five or more years but never played bass; I’m not smart enough to play bass and sing, so I asked him if he wanted to do the shit we were doing, which was Sepultura meets Jesus Lizard, and he jumped in. We wrote three more songs and recorded this 12″. Anything goes. No rules, no boredom, lots of recreational debauchery… a lifestyle upgrade.”

MEATWOUND fashioned their new anthems under a unified regimen of decadence in a place where, as the band depicts it: “According to news reports, Florida is a human wasteland that doesn’t give a shit about laws or decency. It is a swamp ridden cesspool of crime, drugs, carnies, and mutation. We have contributed much asshole culture and music to the world. Tampa specifically, has given the children Assück, Scrog, Death, Morbid Angel, Deicide, Obituary, Reversal of Man, Combatwoundedveteran, Nasty Savage and more. Seputura and Napalm Death came to record here. Cannibal Corpse moved here to live. The Brass Mug is here. Morrisound is here. There are no rules. We are ugly and primitive and short in the attention span. So, as old men, MEATWOUND comes from all that steaming shit pot of geographical music waste and the sounds of our collective childhoods. We grew up in the late 80s/early 90s on the first Earache bands, the first Relapse records, Tampa death metal, Public Enemy, Dischord shit, Steve Albini rampages, Wax Trax, Crass Records, drugs, skateboarding, horror movies, the usual.”

MEATWOUND:
Ari – guitar/jungle tongues
Dan – vocals/Aryan infiltration
Mariano – bass/island violence
Ross – drums/financing

More on MEATWOUND will be available soon; for all Magic Bullet Records press inquiries contact dave@earsplitcompound.com.

http://www.facebook.com/MEATWOUND
http://www.magicbulletrecords.com
http://www.facebook.com/magicbulletrecords
http://twitter.com/magicbulletrecs

PRIMORDIAL: Where Greater Men Have Fallen In-Depth Track-By-Track Breakdown Posted At Revolver

Wednesday, December 17th, 2014

Where Greater Men Have Fallen is the long-anticipated new studio album from Ireland’s most revered metal craftsman, PRIMORDIAL. Released via Metal Blade late last month, the record debuted at #24 on Billboard’s Top New Artist Chart, #43 on Billboard’s Top New Artist Chart, #104 on Billboard’s Independent Albums Chart and, offering up some of the band’s deepest, most conceptually profound and wildly epic compositions to date, continues to floor fans and critics worldwide.

In commemoration of its release, today Revolver Magazine brings fans a thorough track-by-track breakdown of the offering as told by vocalist Alan Averill. Check it out at THIS LOCATION.

Tracked at Grouse Lodge in Dublin with Jaime Gomez (Cathedral, Angelwitch, Grave Miasma), PRIMORDIAL’s Where Greater Men Have Fallen is an eight-track, fifty-eight minute masterwork Stereogum dubs “almost Maiden-esque in its majesty,” driven by the compelling vocal urgency of Averill, who Pitchfork crowns, “one of the most captivating bandleaders in metal.”

PRIMORDIAL will bring their sonic savagery to stages throughout Europe in the coming weeks with additional live ceremonials to be announced soon.

PRIMORDIAL:
1/24/2015 Magazin4 – Brussels, BE
2/05/2015 Audio – Glasgow, UK
2/06/2015 Sound Control – Manchester, UK
2/07/2015 Islington Academy – London, UK
2/19/2015 Blastfest 2015 – Bergen, NO
2/21/2015 Volta Club – Moscow, RU
4/04/2015 Radau gegen HIV – Münster, DE
4/05/2015 Dark Easter Metal Meeting – München, DE
6/13-14/2015 Metalhead Meeting 2015 – Bucharest, RO
6/19-21/2015 Graspop Metal Meeting – Dessel, BE
7/17/2015 Bang Your Head – Balingen, DE

Where Greater Men Have Fallen was released in North America on November 25th, 2014 via Metal Blade Records. Visit http://www.metalblade.com/primordial where you’ll find a lyric video for the title track as well as a host of ordering options. The record is available on CD and vinyl in various color variants.

“Alan Averill is a vocal powerhouse, soaring atop melodic black/folk metal compositions that channel doom and gloom as well as triumph.” – Rolling Stone

“Greater men have fallen, but PRIMORDIAL rise.” – Decibel

“Where Greater Men Have Fallen combines anthemic heavy metal with solemn doom riffs and understated Celtic folk melodies, building on a winning formula that has taken Primordial from bars to Europe’s biggest stages.” – Spin

“The atmosphere PRIMORDIAL have created here is relentlessly crushing and emotional. Only a few truly great albums come out every year, and this is one of them… “ – Metal Injection

one of the most treasured bands in metal today.” – Thrash Hits

Where Greater Men Have Fallen is yet another album that celebrates both the band’s national Celtic pride and their heavy metal roots. PRIMORDIAL proves that relevancy isn’t just in the music you write, it’s in the love of what you do.” – Mxdwn


http://www.primordialweb.com
http://www.facebook.com/primordialofficial

UFOMAMMUT Completes Seventh Studio Full-Length For Spring Release Via Neurot Recordings

Tuesday, December 16th, 2014

Italian power trio, UFOMAMMUT, is putting the final details on the band’s anticipated seventh studio full-length in order for the album to see an early Spring 2015 worldwide release, once again through Neurot Recordings. While virtually no specific details on the album are yet to be revealed to the public, the album is fully mixed, mastered and going into production now. The record’s title, release date and much more will be unveiled at the dawn of 2015, and mass album and tour updates will ensue through the rest of the year.

In October, UFOMAMMUT proudly released XV, through the band’s own Supernatural Cat label with support from Neurot, a DVD documenting their intense first fifteen years together. For nearly two years UFOMAMMUT has been working on this special video project delivered through XV’s more than three hours of footage documenting their vast discography and live accomplishments. The DVD features Magickal Mastery Live, a twelve-song live act, as well as interviews, outtakes, and extras, captured over the past decade and a half.

A mini-documentary sampled from XV is playing at THIS LOCATION, and a video of “Zerosette” from the band’s Godlike Snake debut is playing RIGHT HERE. Orders for the XV DVD can be placed in the US HERE and internationally HERE, and the digital audio version of Magickal Mastery Live only can be ordered HERE.

Additional info on the upcoming album will be released in the coming weeks as UFOMAMMUT prepares to return to North America for their first major tour of the continent in 2015, including a performance at Maryland Deathfest 2015.

UFOMAMMUT Live:
5/21/2015 Maryland Deathfest – Baltimore, MD

http://www.ufomammut.com
http://www.facebook.com/pages/UFOMAMMUT/83336386071
http://www.supernaturalcat.com
http://www.malleusdelic.com
http://www.neurotrecordings.com
http://www.facebook.com/neurotrecordings