ATALA: West Coast Desert Doom Trio To Kick Off US Tour With Sixes; The Bearer Of Light Full-Length Out Now Via Salt Of The Earth Records

photo by Zak Kupch

California stoner doom trio ATALA will kick off a US tour later this week with sludge-bringers Sixes. The Lines Across America tour will commence June 14th in Mountain View, California and make its way through seventeen venues upon its conclusion June 30th in Fullerton, California. The trek includes a stop at this year’s Maryland Doom Fest sharing the stage with scene giants like Pentagram, Apostle Of Solitude, Foghound, and more! See all confirmed dates below.

ATALA will be touring in support of their The Bearer Of Light full-length released last month via Salt Of The Earth Records. Crowned an, “angry, sorrowful trudge through the forests of doom with a promising glimmer of hope at the end,” by Metal Injection, the seven-track desert voyage was captured and self-produced in just five days at Gatos Trail in Joshua Tree with engineer Jeff Thomas.

Stream The Bearer Of Light via Bandcamp HERE or Spotify HERE. Check out ATALA’s previously-released video for “Desolate Lands” HERE.

The Bearer Of Light comes swathed in guitarist/vocalist Kyle Stratton’s striking cover art and is out now on CD, LP, and digitally. Orders are available via Salt Of The Earth Records at THIS LOCATION or the ATALA website HERE.   

 

ATALA w/ Sixes:
6/14/2019 O’Malley’s – Mountain View, CA
6/15/2019 Mummer’s – Sparks, NV
6/16/2019 Beehive – Salt Lake City, UT
6/17/2019 Streets Of London – Denver, CO
6/18/2019 The Riot Room – Kansas City, MO
6/19/2019 The Lift – Dubuque, IA
6/20/2019 Reggie’s Music Hall – Chicago, IL
6/21/2019 Mohawk Place – Buffalo, NY
6/22/2019 Maryland Doom Fest @ Café 611 – Frederick, MD
6/23/2019 The Drunk Horse – Fayetteville, NC
6/24/2019 Alabama Music Box  – Mobile, AL
6/25/2019 Come And Take It Live – Austin, TX
6/26/2019 Bond’s 007 Rock Bar – San Antonio, TX
6/27/2019 Rockhouse Bar & Grill – El Paso, TX
6/28/2019 House of Bards – Tucson, AZ
6/29/2019 Yucca Tap Room – Phoenix, AZ
6/30/2019 Slidebar – Fullerton, CA

Conceived in a Tuff Shed in the desolate landscape of Twentynine Palms, California, sometime in the winter of 2013, ATALA is the conjuring of Kyle Stratton, an artist who has found his home among the rattlesnakes, scorpions, bobcats, and mountain lions. “I love to be lost in the wilderness out here. You can lose yourself and find freedom alongside the creatures who survive here. It’s a great place to escape the human world.”

Completing the trio is drummer Jeff Tedtaotao and bassist Dave Horn. Together the band released a self-titled debut in 2014 with producer and famed desert musician Scott Reeder (Kyuss, Unida). Their 2015 follow-up, Shaman’s Path Of The Serpent, a decidedly more atmospheric and drone-heavy affair, featured producer Billy Anderson (Sleep, Melvins, Pallbearer) who would again produce 2016’s critically-acclaimed Labyrinth Of Ashmedai full-length. Loudwire lauded the band’s “consciousness altering” abilities while Metal Nexus hailed the band for, “keeping heavy music alive and fresh!”

“It’s a true roller coaster of emotions: sad, angry, confused, lost… but, you can’t help but feel hope as you follow the journey,” notes Stratton of ATALA’s The Bearer Of Light.

“After working with producers who I admired,” he continues of the decision to record The Bearer Of Light on his own, “I felt it was my time to do it my way while implementing some of the tricks they used. I wanted to record live and not overthink the process. I just wanted to capture the moment take by take. It was a learning process for both the band and myself as a producer. I literally had no idea what I was doing but I wanted the record to have a ‘90s DIY feel like the stuff I grew up listening to and I think we achieved that.”

 “…an angry, sorrowful trudge through the forests of doom with a promising glimmer of hope at the end.” — Metal Injection

“…a cornucopia of varying styles and sounds while still remaining in the confines of the doom world. ATALA is bearing the light and leading the way with a modern twist on traditional heaviness.” — Metal Nexus

“These guys play the kind of doom that Saint Vitus made famous… this is true doom.” —  Hellbound

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