“TO END IT ALL’s Scourge Of Woman full-length sounds like what would happen if drone/doom purveyors Khanate were forced into a blender with noisemakers Pharmakon and Lingua Ignota and forced to conduct devilish rituals.” — Decibel
Decibel Magazine is currently streaming the ominous sounds of Scourge Of Woman, the latest full-length from avant/death industrial/noise duo TO END IT ALL, on the eve of its digital release.
“TO END IT ALL’s Scourge Of Woman full-length sounds like what would happen if drone/doom purveyors Khanate were forced into a blender with noisemakers Pharmakon and Lingua Ignota and forced to conduct devilish rituals, “ observes the esteemed publication of the release, adding, “Vocalist Joy Von Spain and noise architect Masaaki Masao subscribe to the belief that less is more, letting rumbling power electronics and droning noise merge with Von Spain’s operatic clean singing and possessed shrieks.”
Succumb to the sounds of Scourge Of Woman, streaming exclusively at Decibel Magazine, at THIS LOCATION.
And if you missed it, view TO END IT ALL’s visual companion to the track “Lure” below.
Scourge Of Woman was recorded at Stop/Start Studio in Portland, Oregon and Khaos Studio in Seattle, Washington and will see digital release on the new date of September 28th with a vinyl edition to be unveiled November 6th. Preorders are currently available at THIS LOCATION.
Formed in the autumn of 2016, long-time collaborators — noise artist Masaaki Masao and vocalist Joy Von Spain — began to create new work as TO END IT ALL, forging songs from rhythmic harsh noise, experimental music, instrument sampling, and voice. Scourge Of Woman draws inspiration from death industrial and black noise acts like Pig Heart Transplant, Blue Sabbath Black Cheer, Sutekh Hexen, Throbbing Gristle, as well as artists like Onielar, Diamanda Galas, and Cosey Fanni Tutti. The album features the artwork of Seattle by-way-of Bay Area visual artist Anima Nocturna (Carlos Melgoza) in collaboration with Joy Von Spain.
“…dark, unsettling, and terrifying…” — Cvlt Nation on TO END IT ALL’s “Lure”
“…a horrific, apocalyptic noise-scape full of the sounds of destruction, terror, and what sounds like skyscrapers being leveled.” — Treble on “Beast Filth”