AENAON: Avant Black Metal Unit Undrapes Unsettling “Earth Tomb” Video At Decibel Magazine; Hypnosophy Release Day Looms

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Greek avant black metal conjurors AENAON will unleash the sonic alchemy of their Hypnosophy long player upon adventurous ears later this month. Set for release via Code666, the provocative seven-track production was captured at Crown Audio Conspiracie and thrusts forth fifty-five minutes of heavily textured progressive black metal bedecked in horns, saxophone, and keys. Dreamlike yet nightmarish, sensual and dark, extreme and regal, Hypnosophy is a portal to a glorious surrealistic voyage like no other and a true work of vision and devotion.

As a precursor to its release, today Decibel Magazine delivers the confounding visual accompaniment to third album cut, “Earth Tomb.” “A short, cinematic film beyond deathlike dreaming, ‘Earth Tomb’ takes a step inside the very existence of humanity and the search for inner truth,” relays the band in a collective statement. “Are dreams the dimension of a parallel existence? The boundaries of the mind become blurry through the eyes of a tortured man trapped in a barren earth. This journey has no destination but oblivion and anguish. [Hypnosophy cover artist] Łukasz WodyÅ„ski‘s imagery is tense and lifelike. He has managed to integrate perfectly his own vision with the lyrical and musical ingenuity of AENAON to give birth to a new dimension of cathartic madness. A shamanic ritual incarnated, shifting form ecstatic rhythms to paranoia and rapture. Awake in a nightmare, this time there is no salvation, only lunacy and beyond. Welcome to hell, welcome to Earth.”

Observes Decibel, “The video’s perspective is dreamlike, shifting from a forest inhabited by tribal people to a city. Both views are unsettling; in the forest, a man is the focus of a shamanistic ritual. In the city, a woman’s face is covered by a birdlike mask as the man passes her on dimly lit streets. Throughout it all, the man looks terrified and confused. Add in a baby and a few skulls and the question is left unanswered… how much of this is real? A saxophone can be heard throughout ‘Earth Tomb,’ creating an oddly uplifting melody that works its way in and out of the song. Half-chanted half-sung vocals mix with the band’s eccentric writing and fit the shamanistic ritual in the video.”

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Take in “Earth Tomb,” now playing at Decibel Magazine RIGHT HERE.

You can also sample the band’s David Lynch-inspired “Fire Walk With Me” lyric video (initially premiered by No Clean Singing) as well as first single “Oneirodynia” below:

AENAON‘s Hypnosophy will be released via Aural Music sublabel Code666 on CD, vinyl, and digital formats on November 25th in Europe and December 9th in North America. Preorders – including special bundles – are available at THIS LOCATION

Forged in 2006, AENAON takes its name from the Greek word “Αέναον,” the Eternal. Churning a distinctly atypical brand of experimental black metal, the band recorded their debut EP Phenomenon in 2007. It was released in 2009 via the Canadian Bleak Art Records and followed by a seven-inch split with Satanochio titled A Parallel Zoetrope in 2010. By 2011, the band had culled a solid underground following and united with Italian label Code666 who released their debut full-length, Cendres et Sang. The release marked the beginning of a new era for the band and a solid collaboration. In 2013, the Greeks released another seven-inch split with the Russia’s Stielas Storhett. However, it was 2014’s Code666-issued Extance long player that earned them the most acclaim. Continuing the tradition, in 2015 a third seven-inch split was released in alliance with their Greek comrades Virus Of Koch. And now the world awaits Hypnosophy….

AENAON is not a surprise anymore, probably one of the best progressive black metal bands on the planet, Hypnosophy will end in many top 2016 list for sure.” – Metal Hammer

“Extance was pure perfection and Hypnosophy is even better…” – G.O.M. Magazine

“…bombastic, sulfurous, progressive, jazzy, and soulful…” – No Clean Singing on “Fire Walk With Me”

“The soundscapes these gentlemen create are nothing short of fantastic, and give us a record that not only traverses black metal, but several types of music in general.” — The Grim Tower

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