Crossyears, the anticipated new full-length from Gothenburg power trio LÅNGFINGER, is out TODAY via Small Stone. The ten-track offering was recorded by Johan Reivén and Olle Björck at Sweden’s Welfare Sounds Studio with additional recordings by LÅNGFINGER at Beduin HQ, mixed by Olle Björck, and mastered by Daniel Johansson. Wrote the The Obelisk of the recording, “From the swing and stomp of its title-track to the organ-laced grandeur of ‘Atlas,’ the record brims with classic spirit, but casts off the stylistic restrictiveness of vintage production in favor of a full, vibrant sound, resulting in a mix that brings out the strengths of both without sacrificing the obvious chemistry the band has built over their time together. Also it rocks. Confidently.”
“Crossyears is not only honoring the music we listened to in our adolescence,” relays the band, “but it’s also the embodiment of our relentless attitude and eagerness to claim new musical ground. Our goal was not to promote an experimental journey, rather the opposite. The years of performing live and the countless hours rehearsing in our quarter provided us the opportunity to head straight for our indisputable roots, rip them up and make something loud out of it. This is our most authentic and straightforward record to date.”
LÅNGFINGER’s Crossyears is currently streaming in its entirety at THIS LOCATION.
A truly kick ass power trio is quite possibly the perfect rock formation. If there aren’t that many trios around, that’s because it’s a hard thing to pull off: with just three people having to nail the rhythmic fusion of bass and drums, the wild colors of guitar, and the soul-grabbing focus of the human voice, there can be no passengers aboard. Extraordinary chemistry is essential. Everyone has to be right on it, and locked in. Which is why lots of trios fail, or cop out, and recruit extras.
The members of LÅNGFINGER, hailing from the fertile rock ‘n’ roll city of Gothenburg, are masters of the art. They’ve been playing together since they were in their early teens, and their imminent third album is both the thrilling culmination of their collective endeavor, and a rumination on it – on how time has shaped them and brought them to this point. Within its hard-hitting grooves, the interlocking of LÅNGFINGER’s three disparate characters – Kalle Lilja, the unflappable, precision axeman; Jesper Pihl, the athletic sticksman battering out physical revenge on his kit; and Victor Crusner, the intense, exploratory spirit, bridging thundering bass and howling exorcism – is a magical proposition.